Author Archives: Jean-Luc Achard

The History of the Transparent Contemplation of Samantabhadra as Portrayed in Jamyang Sönam Gyeltsen’s Garland of Jewels — Part II — The Symbolic Transmission of the Knowledge-Holders

 Jean-Luc Achard
(CNRS, CRCAO)

Edited by Marianne Ginalski

2. The Entrustment of the teachings to
Garab Dorje, Indra, and Tröma Nakmo

Then, Vajrasattva emanated from the sanctuary of Akaniṣṭha into the pure realms of the Enjoyment Body where he remained for sixty-one years,1 absorbed in the radiant state of his own Wisdom of Awareness. He then emanated himself in the sanctuary of the Thirty-three Gods and stood on the Armolika stone, with his retinue consisting of the three groups of the Vajra clan.2 He stayed there for twenty-three years, and in the abode of the gods, gave teachings on symbols (brda) and their meaning (don) to Garab Dorje,3 Indra (the Lord of the Gods), and to the Protectress Tröma Nakmo.4

To liberate gods, he taught symbols to Indra; to liberate men, he taught the condensed meaning of these symbols to Garab Dorje; and to fiercely protect the teachings of Dzogchen, he gave Tröma Nakmo a seal of entrustment. He also gave a seal of entrustment to Garab Dorje, addressing him with the following words:

You, the emanated Garab Dorje, perform the good of Jambudvīpa for one hundred and one human years! (Then,) in three thousand and five hundred years from now, an emanated son of the noble Mañjuśrī, bearing the name of Mañjuśrī(-mitra) will come, so entrust him (with these teachings)! (…)5

Then, the Emanation Body Garab Dorje went to the southern island of Jambudvīpa where he entrusted Mañjuśrīmitra6 with the Dzogchen teachings similar to the Body of the Buddha. He gave the king, his minister, and the son of a brahman7 the Dzogchen teachings similar to the Buddha’s Speech. Eventually, he gave the erudite Śrī Siṃha the Dzogchen teachings similar to the Buddha’s Mind.8

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  1. There is probably a hermeneutical interpretation of that number of years but it currently eludes me. []
  2. rdo rje rigs kyi sde gsum. This expression is not listed in the dictionaries at my disposal. Given the context, I would suggest that this corresponds to three groups comprising gods (lha), humans (mi) and Protectors of the teachings (bka’ srung). The Armolika stone is also often spelt Amolika and is a large slab that supports Indra’s throne. It is on this stone slab that Vajradhara and others have preached Dharma in the realm of the Thirty-three Gods. See inter alia, Martin, A History of Buddhism in India and Tibet, p. 373 (PDF version) n. 1212. See also, id., “Ar mo” https://lists.h-net.org/cgi-bin/logbrowse.pl?trx=vx&list=H-Buddhism&month=1001&week=c&msg=LTCjmKyDJGXaZRaHvFNqVg&user=&pw=. []
  3. dGa’ rab rdo rje is traditionally presented as having been the first human lineage holder of the Dzogchen teachings. Depending on the sources that explain his place in the line of transmission of the Great Perfection, he received these teachings either from Vajradhara, Vajrasattva, or even Vajrapāṇi. See a version of his life-story in Nyoshul Khenpo, A Marvelous Garland of Rare Gems, pp. 37-38. See also Düdjom Rinpoche, The Nyingma School, pp. 490-494. []
  4. She is a wrathful form of Vajravārāhī who plays an important role in the practice of Chö (gCod, in particular in the Düdjom Tersar tradition) and in the protection of Dzogchen teachings. She is often presented as the “Lady of Cemeteries” (dur khrod kyi bdag mo); see for instance, Nebesky-Wojkowitz, Oracles and Demons, p. 474. In the cycle of The Transparent Contemplation of Samantabhadra (Kun bzang dgongs pa zang thal), she plays a crucial role as the Protectress of the lineage known as the Contemplative Transmission of the Victorious Ones (rgyal ba dgongs brgyud); see Turpeinen, Vision of Samantabhadra, p. 43. []
  5. P. 48 : sprul pa dga’ rab rdo rje khyod mi lo brgya dang rtsa gcig bar/ /’dzam bu’i gling gi don gyis shig /da nas stong gsum lnga brgya nas/ /’phags pa ‘jam dpal sprul pa’i sras/ /’jam dpal ming can ‘byung gis gtod/ (…). The temporal periods that are referred to in this quote are rather puzzling, to say the least. To my knowledge, they are quite unusual when compared to other narratives associated with dGa’ rab rdo rje. The same remark applies to other durations that are mentioned below. []
  6. On this historical figure, see Nyoshul Khenpo, op. cit., pp. 38-39. []
  7. The king is possibly Dha he na ta lo, on whom see Karmay, The Great Perfection, p. 19. However, later, on p. 51, the author states that the account regarding the king, his minister and the son of a brahman mentioned here is unclear (gsal kha med pa) and is actually of little importance (gal chung). He therefore unfortunately does not provide any information on these figures. []
  8. There is evidently a progression in the increasing subtlety of the teachings that were transmitted, those associated with the Buddha’s Mind (sangs rgyas kyi thugs) being both essentialized and deeper than the previous ones. []

The History of the Transparent Contemplation of Samantabhadra as Portrayed in Jamyang Sönam Gyeltsen’s Garland of Jewels — Part I — The Contemplative Transmission of the Buddhas

Jean-Luc Achard
(CNRS, CRCAO)

Edited by Marianne Ginalski

The first volume of the Compilation of Northern Treasures (Byang gter phyogs bsgrigs) contains an interesting proto-historical work dealing with the origins, early transmission, and revelation of the central treasure cycle of Jangter known as The Transparent Contemplation of Samantabhadra (Kun bzang dgongs pa zang thal). This text has been composed by Jamyang Sönam Gyeltsen1 and is entitled The History of the Lineage, the Garland of Jewels (brGyud pa’i lo rgyus nor bu’i ‘phreng ba).2 The narrative given in the text is rather classical but it is also a departure from similar works in terms of several details and transmission schemes. In general, the history of cycles belonging to the Precepts Section (Man ngag sde) is organized according to three main lineages of transmission:

  1. the Contemplative Transmission of the Victorious Ones (rgyal ba dgongs brgyud),
  2. the Symbolic Transmission of Knowledge-Holders (rig ‘dzin brda rgyud), and
  3. the Oral Transmission of Great Beings (gang zag snyan brgyud).3

This of course also applies to the present text except that these lines of transmission are not precisely defined and do not follow with accuracy the details of the traditional history as for instance recorded in other Heart Drops (sNying thig) cycles. There are also several elements that will certainly seem unusual to readers reasonably accustomed to the “standard” histories of the Precepts Section (Man ngag sde) as we shall see below. Continue reading

  1. On this personage, see Achard, “A Line of Transmission of the dGongs pa zang thal according to the History of the Lineage known as the Garland of Gems (brGyud pa’i lo rgyus nor bu’i ‘phreng ba)”. The identification with the well-known sa skya master of the same name is problematic since the dates that are traditionally attributed to him (1563–1617) conflict with the chronology he himself introduces at the end of his work. []
  2. See the bibliography in fine under the name of ‘Jam dbyangs bSod nams rgyal mtshan. []
  3. This is the scheme followed by Klong chen pa (1308–1364), in several of his works. See inter alia, his Lo rgyus rin po che’i phreng ba, in the Bla ma yang tig. It is the same in the dGongs pa zang thal: see for instance, Rig ‘dzin rgod ldem, Yid ches brgyud pa’i lo rgyus stong thun gyi spyi chings chen mo, p. 6. According to Düdjom Rinpoche (and the sources he uses), the three transmissions respectively correspond to the lineages of Victorious Ones, bodhisattvas, and yogins (see Düdjom Rinpoche, The Nyingma School, p. 447). The first line of transmission is defined as “Contemplative” because it was given through the state of Contemplation (dgongs pa), without uttering a single word. The second line is described as “Symbolic” or transmitted through symbols (brdas brgyud pa) because Knowledge-Holders (rig ‘dzin, corresponding to the category of bodhisattvas in Düdjom Rinpoche’s The Nyingma School referred to above) used specific symbols to illustrate the natural state and transmit the knowledge associated with it. Then, the third line is that of “individuals” (gang zag) who used oral transmission (snyan brgyud) to communicate that knowledge and all its related secret precepts. We will see below that other modes of transmission are used in the revealed literature. See Tulku Thondup, Hidden Teachings of Tibet, p. 102 et seq. []

The Five Repositories of the Zangzang Lhadrak Discovery and Further Conditions of Revelation

 Jean-Luc Achard
(CNRS, CRCAO)1

The Termas revealed by Rigdzin Gödem (1337–1409) in Zangzang Lhadrak2 are known under the collective appellation of the “Five Repositories” (mdzod lnga). They were found in a chest of rhinoceros hide (bse sgrom) divided into five parts: a central one and four sections, dispatched in the four directions. Each of these sections makes up a repository containing a specific set of teachings. Thus, according to the Root-Sādhana of the Knowledge-Holders (Rig ‘dzin rtsa ba’i sgrub thabs), these teachings are organized as follows:

In the eastern direction, within the White Conch Repository,
There is a statue of guru Vajrasattva
And the practice (to perform) in the mode (characterizing) pacifying (activities).

In the southern direction, within the Golden Yellow Repository,
There is a (statue of) the master (in the form) of the great and glorious Heruka
And the practice (to perform) in his wrathful form for increasing (activities).
 

In the western direction, within the Red Copper Repository,
There is a (statue of) the master (in the form) of the Protector Amitāyus
And the practice (to perform) in the mode of the subjugating (activities).

In the northern direction, within the Black Iron Repository,
There is a (statue of) the master (in the form) of the Blood-Drinking Heruka
And the practice (to perform) in the mode of the wrathful (activities).

In the central direction, within the Brown Heart Repository,
There is a (statue of) the master (in the form) of the Emanation Body of the Knowledge-Holder3
And the practice of secret methods
.4

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  1. Thanks to Marianne Ginalski and Jay Valentine for their suggestions and corrections. []
  2. On Mount Zangzang Lhadrak, see Achard, “The Location of Zang zang lha brag according to Se ston Padma dbang chen’s General Presentation of the Northern Treasures and the Concealment of the Treasures.” []
  3. I.e. Padmasambhava. []
  4. From Se ston, Byang gter spyi bcings, pp. 408-409: shar phyogs dung mdzod dkar po na: bla ma rdo rje sems dpa’ sku: zhi ba’i tshul du sgrub pa yod: lho phyogs gser mdzod ser po nas: bla ma dpal chen he ru ka: rgyas pa khro bo’i tshul du sgrub pa yod: nub phyogs zangs mdzod dmar po na: bla ma mgon po tshe dpag med: dbang gi tshul du sgrub pa yod: byang phyogs lcags mdzod nag po na: bla ma khrag ‘thung he ru ka: drag po’i tshul du sgrub pa yod: dbus kyi snying mdzod smug po na: bla ma rig ‘dzin sprul pa’i sku: gsang ba thabs (p. 409) kyi sgrub pa yod:. The original text is actually slightly different and reads as follows (p. 114; parts in bold show the variant reading): shar phyogs dung mdzod dkar po na: bla ma rdo rje sems dpa’i sku: zhi ba’i tshul du sgrub thabs yod: lho phyogs gser mdzod ser po na: bla (missing: ma) dpal chen he ru ka: khro bo’i tshul du sgrub thabs yod: nub kyi zangs mdzod dmar po na: bla ma mgon po tshe dpag med: dbang gi tshul du sgrub thabs yod: byang phyogs lcags mdzod nag po na: bla ma khrag ‘thung he ru ka: drag po’i tshul du sgrub thabs yod: dbus kyi snying mdzod smug po na: bla ma rig ‘dzin sprul pa’i sku: gsang ba thugs kyi sgrub thabs yod:. []

རིག་འཛིན་རྒོད་ལྡེམ་གཏེར་ནས་བཏོན་པའི་རྫོགས་པ་ཆེན་པོ་ཀ་དག་རང་བྱུང་རང་ཤར་སྤྱིར་བསྟན་དང་ཁོག་དབུབ་སྐོར།

Jean-Luc Achard
CNRS, CRCAO

གཏེར་ཆེན་རིག་འཛིན་རྒོད་ལྡེམ་གཏེར་ནས་བཏོན་པའི་རྫོགས་པ་ཆེན་པོ་ཀ་དག་རང་བྱུང་རང་ཤར་ཞེས་བྱ་བ་ཨོ་རྒྱན་པདྨའི་སྙན་རྒྱུད་ཁོངས་སུ་གཏོགས་ཏེ་སྤྲོས་པའི་མཐའ་སྤྱོད་པའི་སློབ་དཔོན་ཆེན་པོའི་སྙན་རྒྱུད་ཡིན།  ཨ་འཛོམ་ཆོས་སྒར་གྱི་དཔེ་སྐྲུན་བཞིན་ཡང་ཟབ་གནད་ཀྱི་ཆོས་ཚན་ནི་ཆོས་སྡེ་བཅོ་ལྔ་ཐེམ་བྱང་དང་བཅས་པས་ཆོས་ཚན་བཅུ་དྲུག་ཡོད།  ཁྱད་པར་དུ་ཆོས་ཚན་དེ་རྣམས་དབང་དུ་བྱས་ན་ཞུས་ལེན་གནད་ཀྱི་ཡི་གེ་དང་གཅིག།  ཞལ་ཆེམས་རིན་ཆེན་གཟེར་བུ་དང་གཉིས།  མ་རིག་མུན་སེལ་དང་གསུམ།  སྙིང་པོ་བསྡུས་པ་རིག་པའི་དབང་དང་བཞི།  གནད་ཏིག་ཞལ་གདམས་ཟབ་མོའི་ཐེམས་དང་ལྔ།  ངོ་སྤྲོད་རང་རིག་རང་གསལ་དང་དྲུག།  གེགས་སེལ་ནོར་བུ་རཏྣའི་བང་མཛོད་དང་བདུན།  མན་ངག་གསལ་བའི་སྒྲོན་མ་དང་བརྒྱད་དོ།  རྒྱུད་གཉིས་ནི་ཀུན་གྲོལ་རྡོ་རྗེ་སེམས་དཔའི་རྒྱུད་ལེའུ་དགུ་པ་དང་།  རང་བྱུང་རང་ཤར་རྩ་བའི་རྒྱུད་ལེའུ་བཅུ་གསུམ་དང་བཅས་པའོ།  ཆོས་སྐོར་ཀུན་ཀྱང་ཚིག་དོན་གང་ཞེ་ན་མཉམ་པར་བཞག་པ་ཏིང་ངེ་འཛིན་གཙོ་བོར་སྟོན་པའི་ཡང་གསང་བླ་ན་མེད་པའི་སྙན་བརྒྱུད་ཡིན་ནོ། ༡༩༧༣ ལོར་པད་མ་ཆོས་ལྡན་གྱིས་པར་སྐྲུན་བྱས་པའི་དཔེ་ཚོགས་དེའི་སྙིང་དོན་ནི་གཤམ་གསལ་ལྟར་ཏེ།

དཀར་ཆག།

༠༽ཐེམ་བྱང་།་་་་་༡-༢

༡༽སྔོན་འགྲོ་རིན་པོ་ཆེ་གནད་ཀྱི་གཟེར་ལྔ།་་་་་་་་༣-༣༡

༢༽གསོལ་འདེབས།་་་་་་་་་༣༣-༣༩ Continue reading

Revisiting the Revelation of the Gongpa Zangthel

Jean-Luc Achard
(CNRS, CRCAO)1

The cycle of the Transparent Contemplation of Samantabhadra or Künzang Gongpa Zangthel (Kun bzang dgongs pa zang thal) contains several non-doctrinal narrative works explaining the history of the lineage, the contents of the collection, prophecies, and other similar texts.2 At the very outset of the first volume, the collection includes an interesting short work dedicated to the story describing the actual revelation of the treasure (gter ma). What is even more interesting is that it is written in the first person, which means that what we read in this text is said to have been directly written down by the tertön, namely Rigdzin Gödem (1337–1408) himself.3

The narration itself is very straightforward and replete with details which give it a definite flavor of authenticity. As will be seen in the translation, extraordinary marvels and wonders are at the core of the story, but given the nature of the event, the intervention of such elements in the narrative does not come as a surprise. As a matter of fact, the role played by atmospheric miracles and the encounters with the Guardians of the Treasure (gter srung) are standard topics occurring in such a revelatory context. Therefore, they should not be automatically dismissed as superstitions since there are numerous elements at play during the revelation of a terma that would easily challenge the most skeptical minds.4 Many of these elements—provided they have not been produced by the imagination of the tertön—are impossible to analyze from a scientific perspective but would nevertheless definitely deserve to be investigated in an emic perspective. I have just mentioned two of them—atmospheric “events” and contacts with local entities5—as these are central in the text translated below, but other modalities such as prophecies, environmental disturbances, collective karma, astrological conjunctions, etc., play crucial roles before, during, and after the revelation itself.

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  1. My thanks go to Marianne Ginalski for her corrections and suggestions on the original draft of this paper. []
  2. These appear either as compositions or as revealed material. The text translated below is a composition. []
  3. There are other works directly attributed to rGod ldem’s hand, such as The Symbolic Omens Appearing in Dreams, in Eight Chapters (mNal lam brda’i ltas le’u brgyad ma) which will be discussed in another paper. []
  4. I am not formulating here a panegyric of some sort of the gter ma phenomenon but the recurring nature of these elements during the revelation of a treasure must certainly be studied on its own, even if only for proposing a hermeneutic interpretation of some of its components. Having recourse to hackneyed arguments limiting the interpretative process to cultural representations that have no reality at all is evidently a dead-end that has deviated research into fossilized, clearly uniformed opinions. The process of revealing treasures is much more complex as is evidenced by the Third rDo grub chen rin po che (1865–1926)’s work on the topic, entitled The Ocean of Wonders (Ngo mtshar rgya mtsho); see the translation of this text in T. Thondup, Hidden Teachings of Tibet, passim. []
  5. The first ones can possibly be witnessed by a third party but not necessarily the second ones. []

Nyingma Perspective on Obstacles to the Revelation of Treasures (gter ma)

by Jean-Luc Achard
(CRCAO, CNRS)1

While the discovery of Treasures is generally seen as a very auspicious sign, in particular for those attending a “public revelation” (khrom gter), as well as for the immediate environment of the treasure site (gter gnas) and the locals, situations (lit. “defects”) resulting from not revealing Treasures (ma thon pa’i skyon) are the particular causes of ominous events. Thus, when the circumstances surrounding a revelation fall under the power of demonic forces (bdud), the Treasure Revealer will potentially lack the specific “good fortune” necessary to carry out his revelation. In a wider perspective, this is often portrayed in apocalyptic literature as a dramatic state of affairs leading to the arising of intense sufferings for Tibet and its inhabitants. In such a context, both the “king of Tibet” (bod kyi rje) and the population will face dire obstacles. To illustrate this situation, in his Precious Garland (Rin chen phreng ba), Setön Pema Wangchen first quotes a passage from the Seven Topics of the Crucial Precepts of the Heart Drops (sNying tig gnad kyi man ngag don bdun), a treasure revealed by tertön Zangpo Drakpa, in which it is said:

If, having fallen under the power of the demons, (the tertön) lacks the good fortune to reveal Treasures,
The Tibetan king and his people will experience unbearable sufferings.
2

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  1. I would like to thank Marianne Ginalski for her kind suggestions and corrections. []
  2. As quoted by Setön in his Precious Garland (Rin chen phreng ba), p. 391: gal te bdud kyi dbang du gyur nas gter thon pa’i skal ba dang mi ldan na: bod kyi rje ‘bangs bzod pa’i thabs med pa’i sdug bsngal la sbyor ro/. []

Apocalyptic Times and the Revelation of Rigdzin Gödem’s Transparent Contemplation of Samantabhadra

by Jean-Luc Achard

(CNRS, CRCAO)1

In his Garland of Jewels (Rin chen phreng ba), a fascinating work devoted to the “General Presentation of the Cycles of Teachings of the Northern Treasures” (Byang gter gyi chos skor rnams kyi spyi chings), Setön Pema Wangchen (15th c.) provides a brief analysis of the period in which Rigdzin Gödem was to reveal the treasure of the Transparent Contemplation of Samantabhadra (Kun bzang dgongs pa zang thal). Basing himself on a series of prophecies, Setön uses five main sources from which he has extracted brief excerpts. These are the subject of the present short paper.

In general, termas are said to be revealed during particularly difficult moments in history, in the course of degenerate times and situations. In traditional Tibetan context, this is often described as periods plagued with spiritual decay, a general decline in virtues, a fall of the royal (or local) Houses, internal conflicts, a general disintegration of familial structures, moral corruption and so forth. This degeneration of times is also expressed in the form of demonic manifestations, the spread of vicious behaviors, epidemics, epizootics, etc. For instance, in the Three Kinds of Lamps (sGron ma rnam gsum), the conditions requiring the revelation of Gödem’s terma are termed as follows:

During the period of degeneration and bad times (associated with) this Treasure,
At the time when the king falls into the populace,
When butchers become leaders of men,
When quarrels rage between fathers and siblings,
When divine supports2
 are destroyed and broken to pieces,
When one is being deceived by beloved companions,
When discord spread between masters and disciples,
When teachers are put to the sword,
When tantrikas perform (only) village rituals,
When foxes wear the hide of lions,
When Gongpo spirits carol songs,3

When scholars sell (teachings) like charlatans,
When attachments and aversions blaze like fire,
When human corpses are scattered
4 across the plains,
A noble emanated individual (arising)
From this Compassion of mine, (Orgyen) Pema,
Will come before this mountain
And, at that time, will excavate this treasure
.5
Continue reading

  1. I would like to thank Marianne Ginalski for her kind suggestions and corrections. []
  2. See below for details. []
  3. On ‘gong po, see Nebesky-Wojkowitz,Oracles and Demons of Tibet, pp. 283-285. []
  4. The verb that is used is ‘grems pa (spread out, display, etc.) in the original text. Funnily enough, Setön, in his Garland of Jewels (Rin chen ‘phreng ba, p. 30) reads that as ‘grims pa, as if understanding the verse as meaning something like “zombies rambling in the flatlands”. []
  5. sGron ma rnam gsum, p. 36: gter ‘di dus ngan snyigs ma’i dus: rgyal po dmangs su ‘bebs pa’i dus : shan pas mi mgo byed pa’i dus:  pha spun dme ‘khrug byed pa’i dus: lha rten bshig nas brdung ba’i dus: snying brtse’i grogs kyis bslu pa’i dus: slob dpon slob ma rnyog pa’i dus: dge bshes gri ru ‘chi ba’i dus: sngags pa grong chog byed pa’i dus: seng lpags wa yis gon pa’i dus: ‘gong pos rgyang glu len pa’i dus:  mkhas pas zog po brin pa’i dus:  chags sdang me ltar ‘bar ba’i dus: mi ro thang la ‘grems pa’i dus: padma nga yi thugs rje las: sprul pa’i gang zag dam pa gcig:  ri bo ‘di’i mdun du ‘byung :  de dus gter ‘di ‘don par ‘gyur:. []

Alien and Internal Prophecies regarding Rigdzin Gödem according to Setön Pema Wangchen

by Jean-Luc Achard
(CNRS, CRCAO)1

Setön’s brief analysis of the prophecies related to Gödem in his Generalities about the Northern Treasures (Byang gter spyi bcings) consists of a mere, yet logical, twofold list, enumerating first the main prophecies that are to be found in alien Terma literature (gter kha gzhan nas), i.e., outside the corpus of the Northern Treasures (Byang gter), and then listing those that are included within that corpus. In doing so, he intends to demonstrate the manifest importance of Gödem in the Nyingma tradition as a whole, and not only within his own lineage.

1. Prophecies made outside the Northern Treasures

In this first category, Setön quotes seven main sources—all of gter ma origins—, some of which have supposedly been discovered prior to Gödem’s birth. The first text that is quoted is The Prophecy of the Treasure (revealed by) Künkyong Lingpa (Kun skyong gling pa’i gter kha’i lung bstan),2 in which appears the following prophetic statement:

His miraculous power will be said to fulfill the aspirations of those to be tamed;
This man with a vulture feather on his head
Will retrieve all treasure vases (from) Trazang;
How can the summary of these be thoroughly sufficient?
3

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  1. I would like to thank Marianne Ginalski and Jay Valentine for their kind suggestions and corrections. []
  2. So far I have been unable to locate this title. Kun skyong gling pa is said to have been born in 1396 or 1408 and to have passed away at the age of 82 (either in 1477 or in 1489). See Samten Chhosphel, “Kunkyong Lingpa”, https://treasuryoflives.org/biographies/view/Kunkyong-Lingpa/2232. []
  3. Se ston, pp. 382-383 : rdzu ‘phrul (p. 383) gdul bya’i re ba bskong ba zhes: rgod kyi ldem phru dbu la skyes pa ni: bkra bzang gter gyi bum pa thams cad ‘byin: de rnams mdor bstan zhib tu ga la ldang:. The last verse of the quatrain simply means that there would be much more to say. []

The Proto-Historical Origins of the Northern Treasures according to Se ston Padma dbang chen (15th c.)

Jean-Luc Achard
(CNRS, CRCAO)1

In the first part of his Garland of Jewels (Rin chen ‘phreng ba), Se ston Padma dbang chen briefly describes the origins of the Northern Treasures tradition, dating it back to the imperial period. We shall briefly recall here the well-known narrative that structures these origins. Se ston explains that in “earlier times” (sngon gyi dus na),2 there came an emanation of Mañjughoṣa (‘Jam pa’i dbyangs) who manifested as a king protecting Dharma under the name of Khri srong lde’u btsan (r. 755–797). At the age of thirteen, the young prince took hold of the royal seat and started to govern the country.3 Soon, his heart started to turn toward virtues and he became interested in Buddhist teachings. At the time, he was eighteen. He financed the building of temples (gtsug lag khang) that would lay the basis for the spread of Buddhism in the Tibetan kingdom, styled as a “region of darkness” (mun pa’i gling). To ensure this diffusion he decided to invite important masters from India, starting with the abbot Śāntarakṣita who was born in Zahor and whom Tibetans nicknamed “Abbot Bodhisattva”. The Abbot performed the ritual for subjugating the soil (sa ‘dul) and workers started to build the first Buddhist temple in bSam yas. However, as the now famous story goes, what was built by humans during the day was destroyed during the night by ill-intentioned demons.

Since the abbot failed to succeed in the building of the temple, the king was rather displeased. To counter the situation, Śāntarakṣita advised him to invite the ācārya Padmasambhava from India. Presented as having been miraculously born from a lotus on a lake, this master was described as not covered by the impurities of the womb. He had furthermore obtained the immortal Diamond Body (‘chi ba med pa rdo rje’i sku) and was said to be able to perform the activities of a thousand Buddhas.4 In India itself, he was already renown as an Emanation Body (sprul pa’i sku) capable of binding the Eight Classes of Gods and Demons (sde brgyad) into servitude.5 In reality, he was the concrete manifestation of Buddha Amitābha, living in the cave of Yari Gong (g.Ya’ ri gong) in India. Thus, three envoys were dispatched with gold in order to invite him.6 They met him in India and owing to the latter’s aspiration prayers formulated in a previous rebirth, Padmasambhava accepted the invitation to go to Tibet.7 The anachronistic date of their departure for Tibet is said to have been the 15th of the middle winter month of an Earth-Male-Horse year.8

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  1. Thanks to Marianne Ginalski and to Jay Valentine for their suggestions and corrections. []
  2. I.e., during the 8th century. []
  3. At that time, the kingdom of Tibet was not limited to Central Tibet but embraced large parts of Central Asia, Northern China, most of the Himalayan regions, and so forth. However, this state of affairs was not to last long. []
  4. With such a Body, Padmasambhava is said to have obtained power over his lifetime (tshe la dbang ba). []
  5. On these eight classes, see Samten Karmay, “Une note sur l’origine du concept des huit catégories d’esprit”, passim. []
  6. These three envoys were sBa mi khri zher (of Yar klung), Śākya pra ba (of the ‘Chims clan), and Shud pu dPal gyi seng ge. []
  7. His aspiration prayers associated with a previous rebirth are an explicit reference to the legend surrounding the Bya rung kha shor (Bodnath) Stūpa on which see sNgags ‘chang Śākya bzang po, mChod rten chen po bya rung kha shor gyi lo rgyus thos pas grol ba, pp. 302-339. See the excellent translation of this work by Adam Pearcey, “Liberation Upon Hearing —The History of the Great Jarung Kashor Stūpa”, passim. []
  8. P. 4: sa pho rtsa dgu zla ‘bring po’i tshe bco lnga. The date is anachronistic because the addition of the element (‘byung ba) only happened after the introduction of the Kālacakra calendar in Tibet in the mid-11th century. []

A Short Note on the Classification of Treasures according to Se ston Padma dbang chen (15th c.)

by Jean-Luc Achard

(CNRS, CRCAO)

Se ston Padma dbang chen is the author of an interesting work dedicated to the Northern Treasures (byang gter), entitled The Garland of Jewels, a General Presentation of the Cycles of Teachings belonging to the Northern Treasures (Byang gter chos skor rnams kyi spyi bcings rin chen ‘phreng ba).1 In this text, his purpose is to explain the specific nature of this tradition according to eight main topics, namely: 1. where the Treasures were hidden; 2. for whom they were intended; 3. the prophecies regarding the individuals that will reveal them; 4. the time when they should be revealed; 5. the defects resulting from not excavating them; 6. the qualities resulting from discovering them; 7. how they should be taught; and 8. what are their contents.

Among these topics, he first discusses the literary category of gter mas or Treasures. He thus explains that, in general, in the system of hidden Treasures, there exist several categories of Ter (gTer) such as:

  • great Treasures (gter chen),2
  • minor Treasures (gter phran),
  • arch-minor Treasures (gter yang phran),
  • Treasures of the Heart (thugs gter), as well as
  • Treasures connected to a profound Oral Transmission (snyan brgyud zab mo’i gter).3

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  1. For the approximative period in which Se ston Padma dbang chen lived (the early 1400’s), I rely on D. Martin, Tibetan Histories, no. 168 (which follows E. Smith). The text itself was written during a me mo yos year (p. 107) which possibly corresponds to 1447 CE. []
  2. It would seem that these great Treasures are identical with the rgyal po’i bla gter mentioned in Gu ru Chos dbang’s gTer chos bka’ rtsi them byang (quoted in Byang gter chos skor rnams kyi spyi bcings rin chen ’phreng ba, p. 6). Later in the text (p. 7), the author quotes his own prophetic work in which he explains that great Treasures (gter chen) are revealed by Emanations Bodies (sprul pa’i sku), while minor Treasures are excavated by “fortunate ones with the proper karmic connection” (las ‘phro can). []
  3. Ib., p. 5. []